Tags ‘ISight’

iPhone 6s Plus: Living with Live Photos

Live Photo Still

Linked to this still iPhone 6s Plus photo are both motion and audio that further capture the moment

Live Photos aren’t perfect. The video shot in a Live Photo is a mediocre 12 frames per second, compared to the 30fps iPhones generally capture. Low-light photos are noticeably less vibrant when Live Photos are enabled. Shoot a Live Photo in the wrong orientation then rotate it, and you’ll revert back to a standard photo. Sharing Live Photos is fairly fragmented by Apple standards, even on Macs running the latest versions of OS X El Capitan. And it’s not easy to frame the perfect Live Photo; great ones tend to happen by chance, not technique.

But despite obvious day one omissions in the Live Photo experience, I’m honestly quite surprised at just how much I appreciate the new iPhone 6s/6s Plus feature. Using my iPhone 6s Plus for a full week now, my take on Live Photos has evolved from “curious but confused” to “I get it but when should I use it?” to wishing I had Live Photos years ago. Read on for how I believe Apple can improve the Live Photos experience and how the new iPhone 6s feature has changed my approach to shooting photos and videos…

Okay, so what is a Live Photo exactly? Apple describes a Live Photo as a full-resolution still image that captures movement and sound just before and after the photo was taken. That means 1.5 seconds of video and audio are captured both before and after you tap the shutter button and snap the picture. Note that Apple won’t call a Live Photo a video, and iOS doesn’t treat Live Photos like videos. The iPhone 6s and 6s Plus let you watch Live Photos only by 3D Touching (deep pressing) the still photo. Older iPhones can play shared Live Photos by long pressing the still images. Apple marks a Live Photo with a special icon in the image’s corner.

iPhone 6s Plus video settings

The video captured during a Live Photo is both low-resolution and low in frame rate (12fps), so the footage plays back with a murky but somewhat dreamy look. It’s noticeable on 4.7-inch and 5.5-inch screens, and it’s just not pretty on even larger displays like iPads and Macs. The 12MP still photo dramatically contrasts with the dated, stuttering video footage wrapped around it. It’s like pairing an iPhone 6s photo with an iPhone 3GS video. I would love to see the 12fps frame rate increase, or at least provide an option if storage is the issue.

Live Photos can be used as lock screen wallpapers on the new iPhones, but the motion is so stuttery that it isn’t as compelling as I’d hoped after Apple’s presentation. You also need to deep press the lock screen for it to animate, likely to keep battery life in control, but would anyone regularly do that? For now I’m using a Live Photo as my wallpaper, but only because I like the way the still photo looks.

Live Photos 1 Live Photos 2

Once you grasp what a Live Photo is for yourself, the first time you share one with someone else necessarily requires teaching them how to engage it. My experience with both power-user friends and less-savvy family members when sharing a Live Photo to other iPhone users is this: 1) send Live Photo 2) include instructions to open image full-screen, press and hold 3) just hope that makes sense. And that’s just from iPhone to iPhone. (There is a Live Photos icon in the photo’s corner, but it’s not a play button.)

Live Photos El CapitanThere’s a software component to making Live Photos work, too, and not even Apple has caught all of its platforms up. This is what you can expect when sharing Live Photos across Apple’s apps and platforms. iCloud Photo Library can sync Live Photos to the Mac, and Photos allows you to play them back within the app. A button labeled LIVE in the lower right hand corner lets you click and play the Live Photo.

Live Photos El Capitan

Just like on the iPhone, Photos for Mac lets you edit a Live Photo and enable or disable the live part of it. Click edit then toggle the yellow or white Live Photos icon in the top center: yellow is on and white is off. Similarly to iOS, auto-enhancing a Live Photo preserves the motion and sound, but rotating, cropping, applying filters, or adjusting light and color will revert it to a non-Live Photo.

Live Photo Messages

Somewhat frustratingly, Messages for Mac currently has zero support for Live Photos. Messages on iPhone and iPad work with Live Photos just fine, but the Mac version of the app treats every Live Photo as a traditional JPEG still image. There’s not even an icon to let you know you should view the Live Photo on your iPhone or iPad. This also happens when sharing a Live Photo directly from Photos for Mac through Messages using the share action. This is the case on both the public version of OS X El Capitan 10.11.0 and the developer beta version of OS X 10.11.1.

Live Photos iCloud Web

More reasonable is Apple’s lack of support for Live Photos on the web. This is the case when using iCloud Photo Library on both icloud.com and beta.icloud.com, which sometimes has future features before the main site. You can playback video from both versions of icloud.com, so I wouldn’t be surprised if it eventually caught up with Live Photo support. For now I don’t spend much time viewing my photo library online, though, so the omission is less annoying than no Live Photos on Messages for Mac.

Live Photos Apple Watch

And what about Apple Watch? Testing with watchOS 2, Live Photos work as expected when you sync an album that includes them. In my case, I sync photos that I favorite to Apple Watch. This lets you set these photos as your watch face, and Live Photos will animate your watch face each time the display lights up. Viewing a Live Photo in the Photos app presents an icon in the lower left corner that shows motion but not audio when tapped. Live Photos in Messages on Apple Watch work like Messages on the Mac, just still JPEGs with nothing to clue you in to watch it.

Sharing a Live Photo online is also tricky. My videos are captured using QuickTime on the Mac with a wired connection to my iPhone, and the result is really just a video that you play and pause. Apple said that Facebook plans to support Live Photos sometime this year, but it’s not clear what that will look like. Still, with Apple behind it there should be a fair amount of support coming.

Live Photos aren’t as straightforward as traditional photos and videos, but are they worth the trouble right now? All of these software pieces will come together in time, but the wow effect of what a Live Photo can offer is not something I expect to get over anytime soon. As I mentioned at the top and discussed on our podcast ‘Happy Hour’ this week, my feelings about Live Photos have quickly changed since first trying the new camera feature last Friday.

The iPhone’s Camera app lets you decide before shooting whether or not you want Live Photos to be on or off. You can quickly toggle it on or off before each shot if you want. After my first couple of days with Live Photos on my iPhone 6s Plus, that’s exactly what I was doing: shoot a photo of a person with Live Photos on, snap a pic of an interesting looking coffee cup with Live Photos off.

That’s a lot of work, though, and the extra step of processing that decision isn’t worth missing a good shot. Adjusting my approach (and taking advantage of my 128GB of storage plus iCloud Photo Library with optimized storage turned on), every photo I shoot now starts as a Live Photo then I decide in post if I should revert it to a still image afterwards.

I have one exception to this approach. Live Photos capture 3 seconds of motion and audio, including 1.5 seconds after you snap the image. That means taking a Live Photo is noticeably not instant because it can’t be. It’s similar to taking an HDR photo on an old iPhone before the processor got so fast. That process involves taking and mixing multiple images and shooting without moving. Live Photos are the same. They take an extra second and a half, so I toggle the feature off if I want to shoot something very quickly in succession.

I joked on Twitter that every iPhone reviewer should have a toddler around when testing Live Photos because that’s when the feature really shines. Parents need Live Photos. It seemed gimmicky when I tried shooting the flag waving in my front yard and getting my cat to pose for one was more annoying than pleasant, but nearly every Live Photo of my daughter just impresses me over and over.

iPhones are getting really great at shooting video. My iPhone 6s Plus has optical image stabilization even for video and shoots in 4K resolution, and while I sometimes decide to shoot a video and not a photo, it’s still a fraction of the time.

Photos are fast to share, easy to enjoy, and don’t ask for much of your time. Videos catch the moment much better but rarely get re-watched around my house. I’m finding that Live Photos strike a really nice balance between the two formats. I have way more photos than videos of family and friends, but I wish I’d have shot more videos over the years. Live Photos makes that decision much easier for me going forward. I don’t have to change my approach, but I get the benefit of details previously only captured in video.

Live Photos seemed ambiguous when first announced and ranked low on my list of reasons for upgrading from my iPhone 6. Yes, the motion quality has plenty of room to improve and Apple’s software still needs to catch up in some corners, but consider me completely sold. Android phones and App Store apps may have been first to the photo format, but being built into the camera and apps that I use everyday in a way that isn’t intrusive is perfect.

Filed under: AAPL Company, iOS, iOS Devices, Opinion Tagged: iCloud Photo Library, iOS 9, iPhone 6s, iphone 6s plus, ISight, Live Photos, photography, photos, Photos for mac

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Zac Hall

October 2nd



Apple gives iPhone 6s Plus camera a test drive at New York Fashion Week

Apple’s new iPhone 6s and 6s Plus won’t officially arrive for customers until September 25th, but Apple is giving the upgraded camera on the devices a real world test drive at New York Fashion Week. It appears Apple handed over a few of the unreleased phones to Vogue and they enlisted photographer Kevin Lu to shoot […]

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Jordan Kahn

September 18th



Apple Event: New Apple Watch bands, 16GB iPhones confirmed with 7000 series aluminum

Apple Unveils iPhone 6

Starting with the iPhone 3GS, every new iPhone has started with 16GB of storage as a base model — a capacity that has come under increasing fire as both videos and apps have grown in size. Despite new capabilities and the presence of 4K video recording in the new iPhones, sources say that the new iPhone 6S and iPhone 6S Plus will retain the same storage tiers as the current iPhone 6 and iPhone 6 Plus: 16GB, 64GB, and 128GB. On-contract pricing will also be the same as the 2014 models: $199, $299, and $399 for the iPhone 6S, versus $299, $399, and $499 for the iPhone 6S Plus. We previously posted images of pre-production next-generation iPhone components that indicated that the 16GB option could remain.

As we recently reported, the iPhone 5s will remain on sale as the on-contract “free” model, while the 2013 iPhone 5c will be discontinued. While a 4-inch iPhone 6c has been in the works, sources do not expect such a device to be unveiled at the September 9th event. We’ve also confirmed that the new iPhones will use the stronger 7000 series aluminum first found in the Apple Watch Sport. Here is how Apple explains this custom alloy:

For Apple Watch, we created a new alloy of 7000 Series aluminum that’s 60 percent stronger than standard alloys. Yet it’s very light. Together with the Ion-X glass covering the display, it makes the Sport collection watches up to 30 percent lighter than our stainless steel models. It’s also exceptionally pure, with a beautifully consistent appearance that’s difficult to achieve with traditional aluminum alloys.

Speaking of the Apple Watch, we’re told that new Apple Watch Sport band colors will launch on the 9th. The new colors could be the same as or similar to the wider variety of sport bands Apple’s Chief Design Officer Jony Ive showed to small audiences at private Apple Watch events earlier this year.

The iPhone 6S and iPhone 6S Plus will retain the design of the current models, but will include several new features, according to sources. The new smartphones will include Force Touch-based displays for shortcutting popular iOS features, 12 megapixel rear cameras that can record 4K video, upgraded front cameras, faster A9 processors, 2GB of RAM, animated wallpapers, and a new Rose Gold color option. The new iPhones are expected to go on sale in retail stores on September 18th.

Top image: Getty Images

Filed under: AAPL Company Tagged: 4K resolution, Apple Inc, Battery (electricity), Chassis, china, FaceTime, iOS, iPhone, IPod Touch, ISight

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Mark Gurman

September 2nd



Opinion: Here’s how both iPhone 6S cameras will likely improve


Apple has called the iPhone “the world’s most popular camera,” a title originally earned by aggregating all iPhones together for counting purposes. But while the exact sales numbers for each iPhone model are difficult to quantify, there’s no question that Apple has already sold over 750 million iPhones, and well over 100 million iPhone 6 devices. Those are huge numbers, and well beyond the typical sales of individual point-and-shoot cameras.

Few people appreciate that growing iPhone demand has created an unusual challenge for Apple: reliably sourcing the tens of millions of parts needed to meet first month demand for tens of millions of iPhones. To that end, Apple’s camera maker Sony had to upgrade its manufacturing plants twice this year to produce more of the CMOS image sensors needed for smartphones including the iPhone. Even with a partner as large as Sony, however, iPhone-specific engineering requirements and the risk inherent in brand new technologies have led Apple to hold off on using the latest and greatest camera innovations in its devices. Instead, iPhones go with thin, lower-resolution sensors that offer great overall image quality for their size, and never eclipse rivals on raw specs.

So what can we realistically expect from the iPhone 6S and 6S Plus cameras next month? Here are my educated guesses…

pink iPhone 6S

If I was betting today, I would predict that the iPhone 6S and 6S Plus will sport 2-Megapixel front-facing (“FaceTime”) cameras with roughly 13-Megapixel rear-facing (“iSight”) cameras. From the outside, they’ll look pretty much the same as last year’s, but each camera will be capable of taking clearer images, and offering better-looking digital zoom, than any prior iPhone. Neither camera will have the raw specs of Apple’s most advanced rivals, but as we’ve seen in prior iPhone generations, Apple will focus on speed, low-light performance, and color accuracy. Unfortunately, the front FaceTime camera will remain woefully behind the rear iSight camera, a bummer for fans of selfies. Here’s why.

iPhones use very small sensors. A 1″ camera sensor is roughly the size of the nano-SIM card found inside most iPhones, but Apple’s rear cameras use 1/3″ sensors that occupy around 25% as much space. In a teardown last year, Chipworks noted that the iPhone 6 Plus’s 8-Megapixel rear camera module is 10.6mm wide by 9.3mm tall by 5.6mm thick, with the sensor itself measuring 5.97mm by 4.71mm. The 1.2-Megapixel front camera module is even smaller, measuring 6.2mm wide by 6.0mm tall by 3.8mm thick. These dimensions provide rough boundaries for what can be expected in the iPhone 6S and iPhone 6S Plus; there isn’t a lot of room in either device for larger components.

Although there have been some tiny changes to the new phones’ thickness and the footprints of their logic boards, the cameras are unlikely to become radically larger or thicker this generation. To put things in perspective, Apple stepped up from a 1/3.2″ sensor in the iPhone 5 to a 1/3.0″ sensor in the same-sized iPhone 5s, a change that required only sub-millimeter dimensional changes to the sensor. Any sensor size increase for the 6S would be of a similar scale. Similarly, given their very different sizes, it’s unrealistic to hope that the iPhone 6S’s front camera will be able to match or even approach the rear camera, something I’ve noticed readers suggesting in recent weeks. There’s just not enough space inside the 6S for two modules of the same size, nor does the leaked iPhone 6S front glass suggest the presence of a huge new lens. Selfies will thus remain (much) lower-resolution than photos taken with the rear camera.

Small sensors limit Apple’s choices for specs. Sony makes at least 13 different camera sensors for mobile devices, but only three of them are the 1/3″ size Apple uses for rear cameras, with even fewer options suitable for the smaller front camera. Although Apple does source custom versions of components that aren’t on official parts lists, those custom parts are typically simpler, cheaper, or focused variations on existing parts, not quantum leaps forward. Additionally, Sony appears to be the exclusive camera provider for iPhones at this point. Apple is therefore limited by both Sony’s current state of the art technology at a given sensor size, as well as Sony’s ability to manufacture enough of those parts to meet growing iPhone demand. (It’s worth noting that previous media reports as to major new iPhone camera breakthroughs have repeatedly failed to wash out due to manufacturing considerations.)

The only sensors Sony publicly lists at the 1/3″ size right now have 13-Megapixel resolutions. Reports have suggested that Apple will use something like Sony’s IMX278, which has an RGBW (RGB with white sub-pixel) color array for greater color accuracy and low-light sensitivity. Two older sensors are also options: the IMX214 doesn’t have the white sub-pixel feature, but supports single-frame, full-resolution HDR and HDR video, while the IMX135 is a lower-end model with lower-resolution HDR support and a lower frame rate. Any of these sensors would be an upgrade in resolution relative to the 8-Megapixel sensor currently in the iPhone 6, though it’s unclear whether Apple will include 4K video recording support.

On the FaceTime side, Sony’s “really small sensor” options are capped at around 2-Megapixel resolutions, without the RGBW feature. Based on available hardware, the most likely improvements would be a jump to 1920×1080 still images, and full HD video recording, possibly with 60FPS video at 1080p and slo-mo video at lower resolutions. The video features line up with code found in iOS 9 several months ago. There’s no chance that the front-facing camera will have 4K video support, as the sensor won’t have enough resolution to create such videos.


Don’t forget the lens, flash, or OIS. Apple does make changes to its lenses and flashes from generation to generation. Rumors have suggested that the rear iPhone 6S lens might get a boost to an f/1.8 aperture, further improving its low-light sensitivity, speed, and potential depth of field. Apple could upgrade the optical image stabilization on the iPhone 6S Plus with more impressive shake/bounce reduction than was found on the iPhone 6 Plus camera. And it might improve the front lens, or leave it alone. Code found in iOS 9 suggested support for a front-mounted flash, which hasn’t yet been spotted on leaked iPhone 6S parts, but could help with selfies.

Apple always considers its next-generation devices, too. At least where camera upgrades have been concerned, Apple’s annual upgrade strategy typically takes a small step forward, with room next year for another step, rather than taking a big step forward one year with no room to upgrade the next year. The iPhone spent four years capped at an 8MP resolution, making small sensor and lens changes each year to improve color accuracy, low-light performance, and speed. By the time the iPhone 6S comes out, Apple will already be substantially through the development process for the iPhone 7 (and 7 Plus?), with a good sense of the sensors, lenses, and flashes it wants to use in the designs, as well as how large the devices will need to be to fit them. It would be hard to imagine another rear camera resolution jump next year, say to 21MP, but if Apple’s engineers made more room for a bigger sensor, it could happen.

I’m personally very optimistic about what we’ll see from the iPhone 6S cameras. Even though Apple tends to make small camera improvements from year to year, resolution bumps for the iPhone’s front and rear cameras have been long overdue, and this will likely be the year when both take welcome steps forward. As a camera fan who uses the iPhone to shoot thousands of pictures every year, I think that’s a major justification to upgrade, and can’t wait to see how the iPhone 6S performs in the field.

More From This Author

Check out more of my editorials, How-To guides, and reviews for 9to5Mac here! I’ve covered a lot of different topics of interest to Mac, iPad, iPhone, iPod, Apple TV, and Apple Watch users. I’ve recently discussed how to safely prepare and wipe your iPhone for resale or trade-in, and how to get the best iPhone trade-in price to help buy an iPhone 6S.

Filed under: AAPL Company, iOS Devices, Opinion Tagged: Cameras, FaceTime, iPhone, iphone 6s, iphone 6s plus, iPhonography, ISight, photography

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Jeremy Horwitz

August 26th



Apple acquires Israeli camera tech firm LinX for estimated $20M


Apple has reportedly bought Israel-based camera technology firm LinX Computational Imaging Ltd, The Wall Street Journal reports. According to the report, the acquisition may have been for an estimated $20 million.

LinX specializes in producing “miniature multi-aperture cameras designed for mobile devices.” Apple’s motivation for purchasing the firm would clearly be to improve the camera technology on mobile devices including the iPhone.

Specifically, LinX’s camera technology aims to achieve SLR-level quality photography from a mobile device using a system of multiple lenses rather than relying on a single, extended lens.

In a press release announcing the multi-lens system last year, LinX described the problems their sensor overcomes:

The engineers at LinX have solved all problems associated with combining multiple images captured from different points in space such as registration errors and occlusion related artifacts which are seen on competing technologies.

The LinX cameras are artifact-free, even when objects appear at very short range.

During the registration process between the images, the LinX software extracts very accurate depth information for each pixel and creates a depth map. The software creates true depth information on high contrast objects and on near flat surfaces, such as walls, which are traditionally considered difficult for passive stereo systems. The accuracy and resolution of details in distance maps created the opportunity to use the suggested algorithms for 3D reconstruction.

Photography examples previously available on LinX’s site highlight the indoor and low light performance of LinX’s sensor compared to the now-old iPhone 5 and Galaxy S4 cameras.

LinX sensor LinX sensor

Apple has now confirmed the acquisition to the WSJ:

Apple confirmed the acquisition with its standard statement when it has bought a company. “Apple buys smaller technology companies from time to time and we generally do not discuss our purpose or plans,” said an Apple spokesman.

Filed under: AAPL Company Tagged: Cameras, iPhones, ISight, Israel, LinX, LinX Computational Imaging Ltd, sensors

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Zac Hall

April 14th



iPad mini in Silver or Space Gray: $199 shipped or pickup at Walmart ($50 off)

From 9to5Toys.com:


Today only, Walmart offers Apple’s iPad mini (non-Retina) in new condition either Space Gray or Silver for $199 shipped or ship to store. That’s $50 off Apple’s current price (though Walmart mistakenly says $100 off last year’s price) and tied with the lowest price we’ve ever seen. A nice pickup for the same price as the iPod touch. Features:

  • 7.9-inch LED-backlit display
  • A5 chip
  • 5MP iSight camera with 1080p HD video recording
  • FaceTime camera
  • Up to 10 hours of battery life *
  • Built-in Wi-Fi (802.11a/b/g/n)

These often sell out pretty quickly so you might want to jump in early.

9to5-image 2014-11-07 at 7.08.48 AM

Filed under: AAPL Company Tagged: 1080p, Apple Inc, Bluetooth, FaceTime, iOS, iPad, iPad mini, ISight, Retina Display, Wi-Fi

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9to5 Staff

November 7th



Apple Store goes down to get ready for pre-orders of the new iPads


The online Apple Store is down as Apple readies the site to take pre-orders of the new iPad Air 2 and iPad mini 3.

The iPad Air 2 is 18% thinner than the original Air, adds Touch ID, M8 motion-sensing chip and an AX8 processor that Apple says is 40% faster than the previous model. It also has camera and wifi improvements, and is available in gold … 

The iPad mini 3 is essentially identical to its predecessor bar Touch ID and the gold color option.

Pre-orders for both devices begin today, with the iPads going on sale “late next week” – most likely on Friday.

Filed under: AAPL Company, iOS Devices Tagged: Apple, Apple Store, iPad, iPad Air 2, iPad mini, iPad mini 3, iPhone, IPod Touch, ISight

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Ben Lovejoy

October 17th



The best Time-lapse, 240-fps Slow-mo, & 60-fps HD videos from the first weekend of iPhone 6

iPhone 6 Camera

With the release of iOS 8 and the new iPhone 6 and iPhone 6 Plus, a ton of new video shooting features are now available to iPhonographers including Time-lapse mode, 240-fps Slow-mo mode, 60-fps HD capture, and Cinematic Video Stabilization. Apple demoed some of these video shooting features earlier this month at the September event, and the iPhone 6 camera microsite includes sample videos of each mode.

With Apple selling over 10 million iPhone 6 and iPhone 6 Plus handsets from pre-sales and launch weekend, we’re likely to see a more and more incredible videos shot on Apple’s new devices, and below we’ve put together a collection of some of the best videos shot in each mode from early iPhone 6 and iPhone 6 Plus adopters.

Apple introduced Slow-mo video capturing in 2013 with the release of the iPhone 5s which shot 120-fps at 720p. The new shooters on the iPhone 6 and iPhone 6 Plus now doubles the frames-per-second to 240 making Slow-mo mode videos even more dramatic (iPhone 6 users can toggle between 120-fps and 240-fps from the Camera app in Slow-mo mode). Both settings allow you to set which parts of the video play normally and which part is broken down with slow-motion. Below is a few examples of slow-motion video shot at the higher frame rate on the new iPhone 6.



Time-lapse capturing is a new mode introduced with iOS 8 and available on several devices including the new iPhone 6 and iPhone 6 Plus, iPhone 5s, iPad Air and iPad mini with Retina display, and more. Think of it as the opposite of Slow-mo. This mode is meant for capturing scenes over a lengthy period of time and for playing back in a ultrafast video clip. You can capture any scene with Time-lapse mode but scenes like sunrises and flowers opening work best for seeing the full effect. Ultimately, the key to capturing a good Time-lapse video is focusing on one scene for a lengthy amount of time.


The new iPhone 6 and iPhone 6 Plus both have the ability to shoot video in 60 frames-per-second doubling the FPS capture of the previous iPhone 5s camera. Shooting in 60-fps is off by default, but you can toggle it on in the Photos & Camera settings in the Settings app on iOS 8. The videos create larger files, of course, so you may only want to opt-in if you have a larger storage device like 64GB or 128GB, but your videos will appear more life-like and less like the movies. Action shots will come off as smoother and subjects will appear sharper when shooting in 60-fps mode.

In addition to the ability to shoot Slow-mo video at 240-fps, Time-lapse videos for capturing long scenes quickly, and capturing 60-fps video at 1080p, the new iPhone 6 and iPhone 6 Plus cameras also feature Continuous autofocus for automatically and intelligently focusing in on the subject of your video as it changes and Cinematic video stabilization for turning fast motion videos into smooth, Steadycam-like shots right from your iPhone.

We’re likely to see a ton more videos shared as more people get their hands on the new iPhone 6 and iPhone 6 Plus cameras, and with tools available for free like the new iMovie and the editing features built-in to the Photos app (not to mention the potential for app extensions), polishing your videos and making professional quality content is easier than ever.

If you’ve got your own favorite videos shot on the new iPhone 6 or iPhone 6 Plus, let us know below and stay tuned for our iPhone 6 and iPhone 6 Plus cinematic camera demo!


Filed under: iOS Devices Tagged: 240-fps Slow-mo, 60-fps, iPhone 6, iphone 6 plus, iPhonography, ISight, Slow-mo, time lapse

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Zac Hall

September 22nd



Apple’s new & cheaper 16GB iPod touch with rear camera goes international

Screen Shot 2014-07-01 at 6.09.08 AM

Apple has launched the cheaper 16GB version of the iPod touch with a 5 megapixel iSight camera internationally. The new iPod also comes in the same Space Gray, Silver, Pink, Yellow, Blue, and (Product) RED models as the 32GB and 64GB configurations. The new 16GB player first launched in the United States last week, but today marks the first time that the units are available at Apple’s sales channels across the world. The pricing of the 16GB iPod touch is now local equivalents to $199, which is a reduction from $229. The device is shipping within 24 hours from several online stores, including the ones for the U.K., France, Italy, and Germany.

Filed under: iOS Devices Tagged: Apple, iOS, iPhone, iPod, IPod Touch, ISight, Product Red, United States

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Mark Gurman

July 1st



Sony expands camera operations to likely supply Apple with front-facing iPhone cameras


Sony is positioned to dramatically increase its sales of CMOS cameras to Apple for use in an unreleased iPhone, Nikkei Asian Review reports. Sony already supplies most of the rear-facing iSight cameras shipping on iPhones today, and as the report suggests, negotiations between Sony and Apple to double the amount of CMOS sensors supplied points to Sony also providing the sensor for the front-facing iPhone camera…

The latest hardware offered on the iPhone 5s features an 8MP camera for taking still photos on the rear side, while the current front-facing camera captures 1MP. Opting for Sony to supply both sensors could suggest a focus on improving the quality of the FaceTime camera on future devices.

The report backs up its claim with information that says Sony has ramped up its infrastructure to support the increase in sensor production:

    A request from Apple was the reason for its January decision to purchase a plant from Japanese chipmaker Renesas Electronics, according to a source involved in the negotiations. Sony plans to invest 35 billion yen in the facility to boost its monthly production capacity by 25%.

The report also notes Sony has provided batteries for Apple’s iPad Air marking an increase in components Sony provides for Apple’s hardware.


Previous reports have suggested Apple’s next-generation iPhone will retain the same 8MP rear-facing camera, instead focusing on further improving the optics at the current megapixel resolution.

Improving the front-facing sensor rating could help market the camera system if the next iPhone retains a similar rear-facing camera. What do you expect from Apple’s next iPhone camera system? Read our thoughts in the Community and let us know in the comments.

Filed under: iOS Devices Tagged: FaceTime, FaceTime HD, iPhone 6, ISight, Nikkei Asian Review, Sony

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Zac Hall

February 11th


October 2015
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